“Wow! … You just listened to my whole anthem.” It was late at night, years ago, on North Broadway in Capitol Hill. “Miguel” had just recited his life story to me for a good 20 minutes…
When I was a child, I was terrified of the dark. I hated going to sleep, because, once the lights turned off, the sheer possibility of encountering a monster kept me awake…
When talking about religion, my father will sometimes talk about “the chosen people,” a title that Jewish people have historically adopted as a way to reference being descended from…
Throughout my life, I’ve lived by the belief that my success and achievements are not solely mine but are deeply connected to the generations of my family who came before me…
As a lazy September blows over, the otherwise slumberous city of Kolkata is set alight by the rhythm of dhols and the smell of Night-flowering Jasmine…
The best of music and theater transport us somewhere outside our own particular time and place, even beyond our own cultural and religious coordinates. By allowing us outside our own boundaries, they offer a chance for fresh insight and inspiration. Susan Stein’s one-woman play “Etty,” directed by Austin Pendleton, does just that. In this Amnesty International Award nominated play, actress Stein introduces us to a most remarkable and spiritually inquisitive young Dutch Jewish woman of the early 1940s. Drawn entirely from the dairies and letters of Etty Hillesum, we experience a remarkable kind of theater-as-time-travel.