The notion supporting this month’s issue is that the ‘arts,’ defined broadly, mediate ‘spirit and truth’ in ways religion cannot, particularly if you take religion to be doctrine, rules, and organization. Of course religion uses the arts in all sorts of ways, which muddies and makes more complex the relationship between our creative energies and what we hold to be true and important. Indeed, for the ancient Greeks as with most indigenous traditions, painting, sculpture, dance, music, and story emerge out of ritual and spiritual practice, where the artist and practitioner are one and the same.