by Marcus Braybrooke
The recent visit of the Pontamina Interreligious Choir to the UK reminded me of the adage that ‘music unites, where words divide.’
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by Marcus Braybrooke
The recent visit of the Pontamina Interreligious Choir to the UK reminded me of the adage that ‘music unites, where words divide.’
by Todd Glacy
During a recent visit to Arizona, I was invited to be the guest on a local Baha’i radio show sharing some of my songs and insights regarding music and spirituality.
This question has become increasingly important with the growing interaction between members of the world religions at all levels of society. Still quite a new issue in the Western world, few churches have given it much attention. In most cases, practice is well in advance of thinking about interfaith worship. I write as a Christian, mainly from a British context, and it will be good to hear from other standpoints.
TIO: When you first became involved in interfaith activities, few if any discerned how several decades of globalization would put religious diversity issues, for good and for ill, center stage in millions of communities. As a preeminent historian of this transformation and its best fruit, the interfaith movement, please share with us how you were drawn to this arena.